Three Perfect Days: Paris
Story by Boyd Farrow | Photography by Haleigh Chastain Walsworth | Hemispheres, July 2017
Paris is a cinematographer's dream. No city is more dazzling in the sunshine or sexier in the rain—or, better still, lit up at night. Which is why it is so achingly familiar to anyone who has ever bought a movie ticket. View Notre Dame from the Quai de Montebello, and you get An American in Paris; have a coffee at Café des Deux Moulins in Montmartre, and you're in Amélie. But Paris has always been as much about discovery as déjà vu. Whether it's the reinvented Pigalle, a rejuvenated République, or the rebooted Sentier district, there's always something new to besot the next generation of dreamers—and to keep the older ones returning.
In which Boyd wings his way through the Louvre, samples 18-month-ripened fruit, and meets a chanteuse after dark
One of the things Parisians like to say about their city is that it's endlessly walkable—the operative word here being “endlessly." While each of the city's 20 arrondissements is conquerable by foot, if you're planning to see them all in one go, you'd best pack a comfortable pair of shoes. Before I attempt (and fail) such a feat, I need to be dragged away from my breakfast in my hotel's resplendent surroundings. La Réserve, a grand mansion a block from the Palais de l'Élysée in the 8th arrondissement, was built for Napoléon III's half-brother. Now, it's a 40-room hotel and spa, all ruby-red and emerald-green silk and velvet and herringbone oak floors. I'm wedged in an armchair wiping globs of apricot jam from my cheeks when my butler appears, tactfully wondering if I'm ready for my swim.
With too much ground to cover, I instead begin the day with an earnest jaunt through the immediate neighborhood—the most central of Paris's arrondissements and the one most frequently used as a backdrop in perfume ads. Going out on Avenue Matignon, I reach Rue Saint-Honoré. Home to outposts of some of the world's most chichi fashion labels, this slender street still has its share of idiosyncratic shops, like Colette, which “curates" everything from rare sneakers to a hundred types of bottled water. Admirably, the sales assistant displays no hauteur when I ask her to remove a $5,000 rose gold iPhone from its cabinet, but she also doesn't register surprise when I hand it back. “Too heavy," I say with a wince.
Haylen Namvarazad, musician
Then it's off to the Louvre, where my ToursByLocals guide, Eugénie, marshals me through thickets of selfie sticks to the must-sees—Venus de Milo, the Mona Lisa—while delivering factoids about the masterpieces we hurtle past. “This was the inspiration for the first FIFA World Cup trophy," she hollers over the din of the horde, as we clatter past the second-century BC marble sculpture The Winged Victory of Samothrace.
There's no time to catch my breath in the Jardin des Tuileries outside. Eugénie steers me toward the park's southwest corner and the dinky Musée de l'Orangerie. Inside, in twin oval rooms, are Monet's large-format Nymphéas (Water Lilies) paintings, which seem disconcertingly out of focus in such an intimate space. Downstairs are 120 works from Renoir, Matisse, Picasso, and Cézanne. There are two portraits by Cézanne of his wife, who looks like a completely different person in each. Neither is particularly flattering. “They didn't get on," whispers Eugénie.
Lunch is at Les Chouettes, a buzzy eatery whose spacious, iron-clad interior is a blend of 1920s cocktail bar, SoHo loft, and the Eiffel Tower. In the ground-floor restaurant, far below the glass ceiling, the menu is also an artful mash-up: My dish of soft-boiled eggs baked with mushrooms and Brie de Meaux—the ultimate comfort food—is accessorized with a bang-on-trend, Instagram-ready charcoal wafer.
My next stop is Saint-Paul, a medieval neighborhood in the 4th that is often clumped in with the Marais—though it's far less self-conscious. I check out Saint-Paul-Saint-Louis, the city's best-known Jesuit church. The elaborate facade is gorgeous, but most of the 17th-century art was plundered during the Revolution. Inside, two rows of golden chandeliers hint at the glory days.“I adore going to the places the tourists go to—but late at night, when they are totally empty. Montmartre is gorgeous, but the Square du Vert-Galant, on the western tip of the Île de la Cité, is even more atmospheric." —Haylen Namvarazad
I head west past Hôtel de Ville—a post-Revolution rebuild of the 16th-century city hall, its facade teeming with statues of notable Parisians, ranging from Cardinal Richelieu to Molière—then cross Pont d'Arcole to the Île de la Cité. On this slim river island stands the city's most celebrated cathedral. Not only is Notre Dame impressively old (construction started in 1163), it's impossibly gorgeous—a Gothic extravaganza of flying buttresses, sullen gargoyles, and bristling spire. If Paris really were a film set, this would be the Tim Burton quarter.
The line to enter moves surprisingly quickly. Several people troop in, take the obligatory selfie, then shuffle out. Others sit in the candlelight, contemplating the high-vaulted nave and the 42-foot purplish South Rose window featuring the New Testament's heavy hitters. Then I notice that many of them are fast asleep. Instead of joining, I cab it back to La Réserve for a rejuvenating dip in the pool.
A couple of hours later, in a crisp shirt and my loosest pants, I leave the hotel once more. I have scored a table at three-Michelin-starred chef Yannick Alléno's restaurant at the nearby Pavillon Ledoyen. My seven-course meal contains two of the best things I have ever eaten: a millefeuille of celeriac and 18-month-ripened avocado, with coconut extraction and chia seeds, and “Stroganoff-style" Wagyu beef. The avocado explodes in my mouth without any of the sweetness I was dreading—the waiter tells me a regular avocado mellows for just three months—but, to be honest, they had me at “Would sir like some bread?" There is even time for a chocolate nib and black olive soufflé before my taxi rolls up.
A view through the clock face at the Musée d'Orsay
Soon I'm in Pigalle, the storied red light district on the fringes of Montmartre. Much of this dirty old neighborhood has been cleaned up. The Moulin Rouge, immortalized by Toulouse-Lautrec, looks as if it belongs in Vegas, and the area's new boutiques and bars, with names such as Dirty Dick, are freighted with hipster irony.
I'm meeting the singer and Pigalle habitué Haylen Namvarazad. I spot her waiting for me on the still slightly sleazy Rue Pierre Fontaine, but the bar we're meant to be going to doesn't seem to exist. L'Orphée is hidden behind the frontage of a former massage parlor and reached only by pressing an unmarked buzzer, then passing through a strip-lit corridor and a second unmarked door. I can't help thinking about the last 10 minutes of Taxi Driver.
After years of busking in Metro stations, Namvarazad found fame on a TV talent show and has since starred in the hit rock opera Le Rouge et le Noir. Musicians come to L'Orphée to jam in its red glow after hours. Tonight, a bearded singer delivers a bluesy rendition of “Hit the Road Jack." A guy with a falsetto pays tribute to Ed Sheeran. Namvarazad channels Amy Winehouse with a tingling take on “Back to Black."
Parisians on Île Saint-Louis
“This is the real spirit of Paris," she says over a Desperados beer with a lime wedge. “It is creative, inclusive, optimistic. This city is very tribal, but in bars like this it doesn't matter where you're from or what stage your career is at. It's people doing what they love and helping each other out."
The loveliness of Paris has drawn artists for centuries, but you do wonder about living here, whether a person might start taking it for granted. “I was born here, and yet there is not a single day that I'm not aware of its beauty," Namvarazad says. “Or rather, there is not a single night. When there is no one around and the city is lit up, it is magical. How could anyone not be inspired?"
Later, as my cab bounces past sprays of flowers cascading from tiny balconies, I see what she means. I can barely keep my eye on the meter.
In which Boyd encounters a large cheese, a large religious work of art, and a very, very large fish
An early start. I drop my bags in my minimal room at the Amastan, a small design-focused hotel at the foot of the Champs-Élysées. On one wall hangs a rug that drapes the sofa before continuing to cover the floor. Talk about minimal. After scarfing down some baby croissants in the courtyard, I head east to Le Marché Popincourt in the 11th arrondissement, where I meet Pierre Sang Boyer, owner of two eponymous restaurants nearby.
Boyer, who was born in South Korea and adopted by a French family when he was 7, is one of the city's hottest chefs. He is also, by his own admission, a produce nerd. He squeals with pleasure at every stall, snapping stalks, fondling tubers, stroking fish, massaging poultry. “Look, this langoustine is still alive," he chirps, dangling a twitching crustacean in my face.
“Markets remind us that we are all part of the same chain," Boyer continues, hurrying on to another fascinating stall. “The farmer, the person preparing the food, the person eating it." He stops before a meat display and asks a vendor to cut me some salami. As I chew, I notice a sign: Boucher Cheval, or horse butcher. “Delicious," I whimper.
Pierre Sang Boyer, chef
This part of the 11th has a lively nightlife scene, but by day its narrow streets teem with grocers hosing down sidewalks, shoppers swinging baskets, and men hauling sacks of produce. In Le Jardin Fromager, matronly Madame Sananès vacuum-packs a whole Camembert de Normandie for me to take home. In Poissonnerie Lacroix, Charly Hanafi gives me herring that's been marinated for days in garlic and onions. I can smell the thing from six feet away, but at least it gets rid of the taste of Seabiscuit.
At Boyer's pared-back restaurants (a walk-in counter that straddles the corner of rues Gambey and Oberkampf and a more upmarket spot about 100 feet away), there are no menus. Diners get a bunch of small plates, their contents dictated by the freshest ingredients that day. I decide to try out both kitchens. At the small one, I sample the radishes and spring onions Boyer scored at the market, served with shrimp and chili flakes, followed by slow-cooked pork belly in ssamjang, a sauce made with chili and fermented soybean paste. At the ritzier joint, I'm served a slab of seared beef with the same zingy ssamjang. As fusion food goes, French-Korean is tough to beat. Also, I can light my candle just by breathing on it.
Another Metro ride takes me to the Musée d'Orsay, the former grand railway station on the Left Bank of the Seine that now houses some of the greatest European art of the 19th and early 20th centuries. At the security check, the guards eye my sealed camembert suspiciously. Inside, the museum still feels like a train station, its concourse filled with people in a hurry to get somewhere else—possibly the Impressionism section on the fifth floor. Here, people are queuing up with their selfie sticks to insert themselves among the revelers in Renoir's Bal du Moulin de la Galette or to photobomb Van Gogh's Self-Portrait. Two years ago, the Musée was forced to lift its photo ban after someone noticed that France's culture minister had posted photos she took there on Instagram. Selfie sticks remain forbidden, but no one seems to care.“In many other cities, it is the artists who are responsible for rejuvenating areas. In Paris, it is restaurateurs. That says a lot about how important food culture is to Parisians." —Pierre Sang Boyer
Next, I cross the Léopold Sédar Senghor footbridge, recently purged of its burdensome lovers' padlocks, and pass back through the Jardin des Tuileries, to the hotel Le Meurice, on Rue de Rivoli, for afternoon tea. Only in Paris can a pastry chef be a superstar, and the pâtissier here, Cédric Grolet, is Ryan Gosling in a toque. Grolet is famous for his ambitious trompe l'oeil confections; I sample a tart that looks exactly like a real apple. It is good—and you have to admire the evil genius who disguises cake as fruit—but I prefer the gooey caramel-and-pistachio cookie.
A short stroll northwest takes me to La Madeleine, the Greek temple–like church built to celebrate the glory of Napoleon's army. Fifty-two Corinthian columns, each 65 feet tall, skirt the exterior. In the gilded interior, the dominant fresco resembles the Sgt. Pepper's album cover, with Napoleon surrounded by Mary Magdalene, the Apostles, Dante, Raphael, and Pope Pius VII, among others. Clearly, the Little Corporal was not short on self-esteem.
From here I'm off to Abbesses—which, at 118 feet down, is the Metro's deepest station—to explore hilly Montmartre. Having learned that the station elevator is broken, I wheeze up 90 spiraling steps before surfacing into what appears to be the set of Amélie. A cobbled square is framed by colored crêperies—all called Chez this or Le Petit that—while sketch artists sit at easels and vendors hawk roses. All that's missing is … no, wait, there is someone playing an accordion.
Parisians enjoying the grounds of La Basilique du Sacré-Coeur
I check out the Sacré-Cœur, the 272-foot basilica at the top of Montmartre's butte, the highest point in the city after the Eiffel Tower. Construction began in 1875 and was completed in 1914—as a penance or a pick-me-up after France lost its war with Prussia, it's hard to say. Inside, a half dozen Benedictine sisters are beginning their vespers. Even above the mumble of tourists, the Latin song is ethereal and lovely, amplified by the huge apse rendered with a mosaic of Christ, in white, arms extended. I sit down with my giant cheese and watch as people file in and light votives or stealthily angle their phones for the ultimate shot: a selfie with Jesus.
For dinner, I head to the 1st arrondissement to meet my friend Sara at the Fish Club, a seafood restaurant from the team behind London's Experimental Group. At 8:30, Sarah and I are the only ones here—but by the time we've drained a couple of drinks, the place is jammed, and I have to raise my voice to order the special: grilled sea bream, which our waitress says is big enough to share. No kidding. Other diners leave their own meals to Instagram our monster catch. Fileted tableside, it is so good we don't touch our greens.
I'm exhausted, but Sara tells me that the Experimental guys have a speakeasy next door. Beyond an unmarked (of course) entrance, we feel our way down a metal stairway and arrive in a barely lit bar with low velvet seating and a well-dressed—as far as I can tell—crowd. I down a Bourbon & French; Sara knocks back something citrusy. “Quick, let's make a run for it," she jokes. Or it may have been a delinquent on an adjoining banquette. Either way, we decide to stay for more cocktails.
By the time we leave, I'm so relaxed I hail a cab standing in the middle of the street. The driver looks terrified. Now, if I could only remember where I put my room key.
In which Boyd breakfasts like Ernest Hemingway, shops like Louis XV, and has a Hugh Grant–like effect on the ladies
I check into the grand Hôtel Plaza Athénée on Avenue Montaigne, the backdrop for Carrie Bradshaw's Paris adventures in the last two episodes of Sex and the City. The iconic red awnings match my eyes. After a refreshing shower, I head for the Left Bank.
The 5th and 6th arrondissements, along the Seine's southern bank, used to be a bohemian enclave, home to struggling artists like Picasso and Matisse. Today, you'd have to sell a Picasso just to buy a small studio here. Next to Les Deux Magots, the café where Jean-Paul Sartre and Simone de Beauvoir used to hang out, stands a Louis Vuitton store.
The café now offers a “Sartre" breakfast, which includes yogurt or fruit salad, and the more robust “Hemingway," which has bacon and fried eggs but, disappointingly, no whiskey. I settle for a croque monsieur.
Tanya Blumstein, movie dialect coach
Despite its embourgeoisement, the Rive Gauche (South Bank) hasn't lost its soul. The cobbled streets and tastefully worn courtyards, along with a bounty of medieval churches, give the area a timeless feel. I especially enjoy the sixth-century Église de Saint Germain-des-Prés, the oldest Romanesque church in Paris, its square tower the focal point of the 6th. Some of the shops seem almost as old. Cire Trudon's origins date to 1643, when it was founded as a candle shop. (Its wares lit Louis XV's court.) Now it supplies tourists with $100-plus wax busts of Marie-Antoinette and Napoléon.
I head east along Boulevard Saint-Germain to the 5th arrondissement, known as the Quartier Latin since the 13th century (when the Sorbonne was founded and Latin was the language of learning). I zip around the Panthéon, the glorious Neoclassical monument that Louis XV built as a thank-you to God after he survived what was probably a case of man flu. Now it houses the tombs of Voltaire, Rousseau, Zola, Victor Hugo, and Marie Curie.
Not feeling too lively myself, I loop back to the Jardin du Luxembourg, where I slump into a garden chair. With 60 acres of immaculate parkland around me, the only sound is the crunch of gravel as the occasional jogger goes by. These are Parisian joggers, so no one is wearing lime Lycra. One woman may actually be wearing heels. On my way out, I step into the sweet little Musée du Luxembourg to catch an exhibition of Pissarro's later pastoral scenes—a nice bonus.“Parisians tend to enjoy life more—spending time with family, enjoying their surroundings. Of course, it does help when your surroundings are this beautiful." —Tanya Blumstein
After enjoying a fortifying salad of quinoa, goat cheese, and broccoli at the restaurant at Hôtel Bachaumont, which anchors the newly fashionable Rue Bachaumont in the 2nd arrondissement, I walk south to check out Paris's regeneration project du jour, the billion-euro revamp of the previously forlorn Les Halles shopping mall. Approaching Les Halles from the north takes me past one of the loveliest buildings in Paris—which is saying something. Église St-Eustache, built between 1532 and 1637, is primarily Gothic, though a Neoclassical facade was slapped on its western side in the 18th century. On a wall inside hangs a Rubens painting; outside stands a gigantic Henri de Miller sculpture of a head and hand. All this makes the new retail and leisure complex look even more weirdly modern. Les Halles's curvy yellow six-acre canopy makes it seem as if someone has dropped a giant omelette on the city.
A 15-minute stroll brings me to Rue des Rosiers, the higgledy-piggledy center of the Marais and the heart of the Jewish community. Poignantly, the sign outside the bustling kosher bakery Sacha Finkelsztajn announces the community's postwar comeback: “From Father to Son since 1946."
The view from the Hôtel Plaza Athénée
Dotting the medieval warren are many enchanting gardens. Place des Vosges is one of the oldest squares in Paris and regarded as one of the best, but I prefer the smaller Square Georges Cain, which is filled with treasures from the adjacent Musée Carnavalet. One of the most intriguing objects is a small electronic bird designed to sing like a nightingale when the wind blows. I don't hear any birdsong, but the gate screeches like an angry parrot.
Near the Carreau du Temple—an iconic industrial market that reopened in 2014 as a cultural and exhibition venue—I meet Massachusetts-born Tanya Blumstein, who was so smitten when she arrived in Paris more than 20 years ago that she never went back. “It just felt like home as soon as I got here," says Blumstein, a voice and dialect coach for theater and film who recently worked with Natalie Portman on Jackie. “Everywhere here has a real community feel. You tend to keep an eye on your neighbors' kids; you know your butcher, baker, and florist. In most big cities, people don't live like that anymore."
We mooch around some of the city's most gentrified rues Saintonge, Bretagne, Poitou. On the corner of Poitou is the Petit Moulin, a tiny hotel that's housed in a former boulangerie and whose interiors are a riot of Christian Lacroix. As we pass, the actor Pierre Niney, who played Yves Saint Laurent in a 2014 biopic, cycles past. Could this be any more French?
Notre Dame from across the Seine
It could. In Jacques Genin's showroom-size chocolate shop on lively Rue de Turenne, a loved-up couple agonizes over a chocolate display as if choosing an engagement ring. I'm agonizing too, over how many kirsch caramels I dare take from the sample jar.
The Marais has long been Paris's most BoBo (Bourgeois Bohemian) area, but things may have gotten out of hand. At Nanashi on Rue Charlot, vegetarian “Parisian Bento" boxes are served by staffers with lion-tamer mustaches. We pause to nibble retro shortbread at Bontemps, a patisserie opened by a former financier, and sip blueberry-lavender smoothies at Wild & The Moon.
Back at the decidedly un-BoBo Plaza Athénée, I soothe my limbs in a deep marble tub. The blisters on my feet are so big they may soon need their own arrondissement. I'm dining in the hotel restaurant tonight, and I wonder if the dress code extends to the fluffy white slippers that were left beside my bed.
That dinner, taken in a corner berth in the handsome Le Relais Plaza brasserie, is a gratifyingly no-nonsense affair: an entrée-size starter of crevette salad, tender beef served with mashed potatoes, and a trio of sorbets. I'm glad I went with regular shoes—I have to walk at least some of the bread basket off before I can even contemplate going to sleep.
I cross nearby Pont de l'Alma and walk along the Left Bank, admiring the way each building is subtly and artfully lit, like movie stars in a black-and-white film. I can hear the chatter of tourists pleasure-cruising the Seine and the muffled voices of a couple sharing a bottle of wine by the water's edge. People throng outside Faust, a nightclub beneath the exuberant Pont Alexandre III. As I thread my way through the crowd, a young Frenchwoman bumps into me, spilling wine down my shirt. Being English, I apologize. She smiles, kisses my cheek, and disappears. Okay, so it's not a Robert Doisneau moment, but it's not a bad way to say goodnight to the city—the Eiffel Tower to the west, its sparkling light show reminding us that the clock has just struck 12.
Berlin-based writer Boyd Farrow is not the first person to fall in love in Paris. Three weeks after he returned home, he is still blissfully happy with his camembert.
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On March 19, 2020, United operated its first flight carrying cargo without passengers on board. While the passenger cabin was empty, its cargo hold was completely full, carrying more than 29,000 pounds of commodities from Chicago O'Hare International Airport (ORD) to Frankfurt Airport (FRA).
A year later, United Cargo has operated more than 11,000 cargo-only flights carrying more than 570 million pounds of freight. To support the COVID-19 pandemic recovery efforts, United Cargo has also transported more than 113 million pounds of medical and pharmaceutical products on both cargo-only and passenger flights as well as approximately 10 million COVID-19 vaccines, providing global communities access to the items they have needed most.
"At the beginning of the pandemic, we knew we were uniquely positioned to utilize our widebody aircraft and our network to keep commodities moving, so we quickly mobilized various departments throughout the airline to launch a cargo-only network of flights that would keep commodities moving," said United Cargo President Jan Krems. "Thanks to those efforts, United Cargo has delivered millions of items to countries all around the world. We would not have been successful without the steadfast support of our employees, industry partners and our customers."
Since last March, United Cargo has transported almost 850 million pounds of freight on cargo-only and passenger flights. The airline will continue to monitor market trends adjust its cargo-only flight schedules to help ensure we are meeting our customer's evolving shipping needs.
Whether you haven't flown with us for a while or just need a quick refresher before your spring trip, read this list of tips to know before your flight and arrive at the airport travel-ready:
1. Download the United app for contactless bag check, travel assistance and more
Before your flight, download the United app to view your flight status, check in, sign up for flight notifications, locate departure gates, access our free personal device entertainment when available and more. We've also updated our app with new features that can make your trip a little safer, including contactless bag check.
Don't forget to use Agent on Demand for help with any and all questions you may have before your flight. This new capability is available at all our U.S. hub airports and allows you to use your own mobile device to contact a customer service agent via phone, video or chat to help with day-of-travel questions while you're at the airport. Learn more about Agent on Demand here.
2. Check out the Travel-Ready Center
Our Travel-Ready Center makes it easy to get a personalized overview of everything you need to do in preparation for your flight. Just enter your confirmation number or MileagePlus® number and you'll find detailed information on all the documents, tests and more that you'll need for your trip.
3. Read and sign the Ready-to-Fly checklist
Before completing check-in, all United travelers will need to read our Ready-to-Fly checklist and confirm that they understand and agree to our policies. These include:
Acknowledging that you haven't had any symptoms of COVID-19 in the last 14 days
Agreeing that you will not fly if you have tested positive for COVID-19 within the last 21 days
Confirming that you will follow all policies regarding face masks, social distancing and other health and safety measures we've adopted
4. Arrive early; avoid the stress
Airports can be busy, especially during peak travel periods like spring break season. The TSA advises arriving at the airport two hours before your flight for domestic travel and three hours for international travel in anticipation of long security lines. This can help ease the stress when navigating busy check-in areas, security lines and crowded boarding gates.
5. Get familiar with CleanPlus
United CleanPlus℠ is our commitment to delivering industry-leading cleanliness as we put health and safety at the forefront of your experience. We've teamed up with Clorox to redefine our cleaning and disinfection procedures and Cleveland Clinic to advise us on enhancing our cleaning and disinfection protocols, like:
Disinfecting high-touch areas on board and in the terminal
Using electrostatic spraying, Ultraviolet C lighting wands and more advanced measures to clean aircraft cabins before boarding
Redesigning our mobile app to allow for touchless check-in and contactless payment, along with enhanced travel assistance features
Implementing high-efficiency (HEPA) filters on our aircraft that completely recirculate cabin air every 2-3 minutes and remove 99.97% of airborne particles, including viruses and bacteria
Studies show COVID-19 exposure risk is minimal when air filtration systems and masks are in use, so you can rest assured that the steps we've taken to keep you safe truly make a difference.
6. Wear your mask
Federal law requires all travelers to wear a face mask in the airport, including customer service counters, airport lounges, gates and baggage claim, and on board during their entire flight. Make sure you review the requirements for face masks, including what an acceptable face mask looks like.
7. Get ready for a safer boarding process
To make boarding even safer, we now have travelers board their aircraft from back to front. At the gate, just listen for your row number to be called – we'll ask a few rows at a time to board, starting with the last row of the plane. This helps everyone maintain a safe distance from each other during boarding without slowing things down. As you step onto the plane, flight attendants will hand each passenger a sanitizing towelette, which you can use to wipe down your seat to ensure it's extra clean.
8. Pack smart
Before packing your bags, check to see what exactly you can carry on and what you should plan to check. You can also copy your confirmation number into our Baggage Calculator tool to learn about the bag allowance included with your reservation, as well as the cost of checking any additional bags.
9. Check your flight status, important notices and weather
Check the United app regularly for the latest updates on weather conditions, flight status, gate numbers and seat assignments. You can also visit our Important Notices page to find essential information and updates about travel waivers, international travel, TSA and security, airports and United Club locations.
10. Relax and enjoy your flight
Once you're on board, it's time to sit back and enjoy your flight. Our flight attendants will be happy to help you with anything else you need.
This week, we were honored to become the first U.S. airline to join the UNICEF Humanitarian Airfreight Initiative to combat the COVID-19 pandemic by transporting the vaccine and other critically needed supplies to underserved areas of the globe.
"We are committed to helping the global community in any way we can, and we all must work together to do our part to bring this health and humanitarian crisis to an end," said Director of Cargo Specialty Products Manu Jacobs.
We will leverage our expertise to transport these critical pharmaceutical and healthcare shipments around the world safely, efficiently and expediently. We are proud to partner with the United Nations to support this global effort and provide equitable access to COVID-19 vaccines.
Together, we are facing an unprecedented challenge. United Together, we rise to meet that challenge.
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Newly added to our collection is a background encouraging our employees and customers to vote. Our mission is to connect people and unite the world — and one of the most important ways to do that is to engage in the democratic process. No matter which party you support, we know our democracy will be stronger if you make your voice heard and vote.
So for your next meeting or catch up with friends and family, download the app to either your computer or mobile device to get started.
To use on Zoom:
- Start here by downloading your favorite United image to your computer or mobile device. Just click "download" in the bottom left corner of the image.
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To use on Microsoft Teams:
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- If you're using a PC, copy the image you want to use into this folder:
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